{"id":6586,"date":"2026-07-18T09:53:03","date_gmt":"2026-07-18T09:53:03","guid":{"rendered":"https:\/\/biennalxmiserachs.org\/qr-txema-salvans\/"},"modified":"2026-08-05T09:46:50","modified_gmt":"2026-08-05T09:46:50","slug":"qr-txema-salvans","status":"publish","type":"page","link":"https:\/\/biennalxmiserachs.org\/en\/qr-txema-salvans\/","title":{"rendered":"QR Txema Salvans"},"content":{"rendered":"\t\t
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\u201cADJECTIVAR EL TEMPS. TXEMA SALVANS - JOSEP PLA\u201d
(Defining Time. Txema Salvans - Josep Pla)<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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How much importance do we give to our daily lives and everything that goes along with it? Are we at all interested in what\u2019s going on around us? Do we pay attention to the small, seemingly banal details that we come across every day? Immersed in the daily hustle-and-bustle, it\u2019s often hard for us to take a break and find the right mental state to appreciate the small anodyne gestures, particular situations or fleeting scenes of reality that surround us Fortunately, through their gaze, artists help us to become aware of all these things. <\/p>

An acute interest in the \u00abprodigious and endless, vulgar and magical\u00bb reality was precisely one of the constants in the works by the author Josep Pla (Palafrugell, 1897-1981), while it is also present at the core of the photos by Txema Salvans (Barcelona, 1971). As the artist himself claims: \u00abI photograph the extraordinary aspects of daily life\u00bb. Starting from this shared embryo, the exhibition delves into the creative processes of photography and writing to discover the shared elements in the perspective and works of the two artists. <\/p>

Despite belonging to distinct eras and having notable differences in the artistic sphere, this comparative exploration of the works by Txema Salvans and Josep Pla nurtures a network of relationships as well as shared and revealing aesthetic interests. Using the precise adjective, the singular use of light and the expressive yet critical capacity of their respective perspectives, Txema Salvans and Josep Pla capture time and define its existential depths. <\/p>

Immersing ourselves into this connection, we have found a suggestive framework that the texts by Josep Pla offer about the atmosphere of Txema Salvans\u2019s photographs that are drawn from the projects Perfect Day,<\/em> The Waiting Game<\/em>, Sunday Morning and Los destrozos de una cat\u00e1strofe<\/em> (The Wreckage of a Catastrophe), some of which have never been seen before. Presented together, Pla\u2019s literature and Salvan’s photography offer two singular yet complementary forms of engaging with the world. By having them engage in conversation, the result highlights the aspects that they share: curiosity, precision, attention to details, a local yet universal vision, and especially their ability to define time, whether with the pen or the camera. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00abWriting consists mostly of finding the right adjectives, of describing things. It’s not easy. It demands a great deal of observation, patience, and a healthy disregard for time. It may be simple, but it\u2019s not easy. A slow pace and solitude are likely preferable. Intuition, even more so.\u00bb<\/h5>

Josep Pla. Darrers escrits<\/em>. OC LXIV. Barcelona: Destino, 1984, p. 348<\/p>

\u00abIn photography, that idea of time is imaginary. Our photographs are fossils. You steal a moment in time and leave it fossilised.\u00bb<\/h5>

Txema Salvans<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00abEverything hangs by a thread, everything is uncertain.\u00bb<\/h5>

Josep Pla. Darrers escrits<\/em>. OC LXIV. Barcelona: Destino, 1984, p. 349<\/p>

\u00abThe wait was long, endless. Life itself means waiting. But waiting for what?\u00bb<\/h5>

Josep Pla. Un petit m\u00f3n del Pirineu<\/em>, OC XXVII. Barcelona: Destino, 1974, p. 197<\/p>

\u00abThe movement made by men and women are so various and so entangled that they are as dense as any jungle foliage.\u00bb<\/h5>

Josep Pla. The Grey Notebook<\/em>. Translated by Peter Bush. New York: New York Review of Books, 2013, p. 487<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00abThe landscape has an antique stillness, at once benign and paternal. If someone shouts, the wind carries the cry gently away. Tim passes, like a trickle of olive oil.\u00bb<\/h5>

Josep Pla. The Grey Notebook<\/em>. Translated by Peter Bush. New York: New York Review of Books, 2013, p. 212<\/p>

\u00abMan is suspended in time, his gaze lost in the sky. All the shades of grey and pink float in the atmosphere. The air has the smoothness of a cloudy pearl.\u00bb<\/h5>

Josep Pla. El nord<\/em>, OC V. Barcelona: Destino, 1967, p. 66<\/p>

\u00abThe light is a hazy, effervescent, dazzling white. It melts with the air, white walls, and pinkish sand to create misty vapours that glide, twist, and turn.\u00bb<\/h5>

Josep Pla. The Grey Notebook<\/em>. Translated by Peter Bush. New York: New York Review of Books, 2013, p. 240<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00abThe golden sky with pink hues has a patch of peach fuzz.\u00bb<\/h5>

Josep Pla. El nord<\/em>, OC V. Barcelona: Destino, 1967, p. 249<\/p>

\u00abTime passed suspended in silence.\u00bb<\/h5>

Josep Pla. The Grey Notebook<\/em>. Translated by Peter Bush. New York: New York Review of Books, 2013, p. 285<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00abHere is the quid of literature: the details, the observation, the knowledge. This is what endures.\u00bb<\/h5>

Josep Pla. Notes del capvesprol<\/em>, OC XXXV. Barcelona: Destino, 1979, p. 266<\/p>

\u00abIn photography, you must impose order on chaos. You come to a place and it\u2019s chaotic. Then you have to create order, establish a hierarchy and set lines. You do it intuitively when it\u2019s your calling and you have the skill to do it. It\u2019s like writing a musical score, a well-written text without any spelling mistakes.\u00bb<\/h5>

Txema Salvans<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Curated and producedF<\/strong>undaci\u00f3 Josep Pla and Biennal de Fotografia Xavier Miserachs<\/div>
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Exhibition design by<\/strong>Llu\u00eds Bruguera<\/div>
<\/div>
Graphic design<\/strong>Carles Reig<\/div>
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Photo prints by<\/strong>Copia Lab<\/span><\/div>
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Framing<\/strong>Arte Pisano & Pellet Punto<\/div>
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Linguistic advice and translations by<\/strong>N\u00faria S\u00e0bat, Daniel Parsons, Flavie Marczoch, Marta Moreno and Aina Pubill<\/div>
<\/div>
Text printed by<\/strong>Gr\u00e0fiques Agust\u00ed<\/div>
<\/div>
Assembly<\/strong>Pujol carpentry<\/div>
<\/div>
Transport<\/strong>Santi L\u00e9onard<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u201cADJECTIVAR EL TEMPS. TXEMA SALVANS – JOSEP PLA\u201d(Defining Time. Txema Salvans – Josep Pla) How much importance do we give to our daily lives and everything that goes along with it? Are we at all interested in what\u2019s going on around us? Do we pay attention to the small, seemingly banal details that we come […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-6586","page","type-page","status-publish","hentry"],"yoast_head":"\nQR Txema Salvans - Biennal de Fotografia Xavier Miserachs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/biennalxmiserachs.org\/qr-txema-salvans\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"QR Txema Salvans - Biennal de Fotografia Xavier Miserachs\" \/>\n<meta property=\"og:description\" content=\"\u201cADJECTIVAR EL TEMPS. TXEMA SALVANS – JOSEP PLA\u201d(Defining Time. Txema Salvans – Josep Pla) How much importance do we give to our daily lives and everything that goes along with it? Are we at all interested in what\u2019s going on around us? 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