{"id":6309,"date":"2026-07-16T18:29:43","date_gmt":"2026-07-16T18:29:43","guid":{"rendered":"https:\/\/biennalxmiserachs.org\/qr-paisatge-invisible\/"},"modified":"2026-08-05T09:15:53","modified_gmt":"2026-08-05T09:15:53","slug":"qr-paisatge-invisible","status":"publish","type":"page","link":"https:\/\/biennalxmiserachs.org\/es\/qr-paisatge-invisible\/","title":{"rendered":"QR Paisatge invisible"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"6309\" class=\"elementor elementor-6309 elementor-6304\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f3ac2ae e-flex e-con-boxed e-con e-parent\" data-id=\"f3ac2ae\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c855030 elementor-widget elementor-widget-heading\" data-id=\"c855030\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">\u201cEL PAISATGE INVISIBLE\u201d<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-27bf253 e-flex e-con-boxed e-con e-parent\" data-id=\"27bf253\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-558dd01 elementor-widget elementor-widget-text-editor\" data-id=\"558dd01\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">El delta del Ebro se asfixia. Hoy en d\u00eda, el 98 % de los sedimentos que garantizan su existencia quedan retenidos en los embalses de Mequinensa y Riba-roja, provocando una fase de retroceso y erosi\u00f3n sin precedentes. En los \u00faltimos 60 a\u00f1os, m\u00e1s de un centenar de presas han modificado el flujo natural del r\u00edo Ebro y de sus afluentes, lo que ha puesto en peligro la supervivencia de este ecosistema, que podr\u00eda desaparecer en menos de 80 a\u00f1os.   <\/span><\/span><span lang=\"CA\">Este problema no es exclusivo del delta del Ebro y afecta a todas las zonas h\u00famedas del planeta, ya que la mala gesti\u00f3n del agua ha degradado o ha hecho desaparecer el 90 % de estos ecosistemas. <\/span><\/p><\/div><div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">Adem\u00e1s, la presi\u00f3n de la crisis clim\u00e1tica est\u00e1 acelerando este proceso de desaparici\u00f3n, con el aumento del nivel del mar, a consecuencia del deshielo de las masas polares, y el incremento en la frecuencia y severidad de fen\u00f3menos clim\u00e1ticos adversos. <\/span><\/span><\/p><\/div><div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">La crisis que afronta el delta no solo es clim\u00e1tica, h\u00eddrica o energ\u00e9tica, sino tambi\u00e9n cultural. Responde a una forma arcaica de relacionarnos con la naturaleza, basada en una l\u00f3gica extractivista en la que \u2013como advert\u00eda el antrop\u00f3logo Bruno Latour\u2013 \u00ablo importante es utilizar los recursos para desarrollarse\u00bb. <\/span><\/span><span lang=\"CA\"> <span class=\"agcmg\">Esta mirada obsoleta es el punto de partida del proyecto \u201cEl paisatge invisible\u201d (El paisaje invisible). <\/span><\/span><\/p><\/div><div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">En 2021, Wayra Ficapal empez\u00f3 a documentar el fr\u00e1gil ecosistema del delta del Ebro. Primero, fotografi\u00e1ndolo con una c\u00e1mara de medio formato anal\u00f3gica; una c\u00e1mara que le permite establecer una relaci\u00f3n desacelerada, consciente y atenta con su entorno. Despu\u00e9s, interviniendo las im\u00e1genes   <\/span><\/span><span lang=\"CA\">con el agua del mar Mediterr\u00e1neo, el mismo que est\u00e1 invadiendo y erosionando la mayor zona h\u00fameda de Catalu\u00f1a. <\/span><\/p><\/div><div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">Intervenir las fotograf\u00edas permite a la artista establecer un di\u00e1logo colaborativo con<\/span><\/span><span lang=\"CA\"> <span class=\"agcmg\">el paisaje que nos abre a una narrativa no humana y nos invita a modificar nuestra forma de comprender y relacionarnos con el entorno. Capa a capa, las fotograf\u00edas se van deteriorando y el paisaje resulta invisible. \u00bfQu\u00e9 paisaje nos devuelve el paisaje?   <\/span><\/span><\/p><\/div><div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">Hist\u00f3ricamente, la fotograf\u00eda de paisaje ha perpetuado una visi\u00f3n idealizada heredada de la pintura y el cine, desconectada de sus conflictos y ausente de cr\u00edtica. A lo largo de los siglos XIX y XX, esta representaci\u00f3n quiz\u00e1s era \u00fatil, pero ahora, en un contexto de crisis clim\u00e1tica, este lenguaje visual sigue modulando nuestro v\u00ednculo con el entorno de una forma anacr\u00f3nica, de modo que es necesario cambiar el relato para enriquecer esta relaci\u00f3n paisaj\u00edstica. <\/span><\/span><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-38224b1 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"38224b1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6c0cc48 elementor-widget elementor-widget-text-editor\" data-id=\"6c0cc48\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"font-weight: 400;\"><strong>Vide\u00f3grafa<br\/><\/strong>Claudia Herr\u00e1n<\/p><p style=\"font-weight: 400;\"><strong>Guionista<\/strong><br\/>Wayra Ficapal<\/p><p style=\"font-weight: 400;\"><strong>Asesor de contenidos<\/strong><br\/>Josep Juan Segarra<\/p><p style=\"font-weight: 400;\"><strong>M\u00fasica<\/strong><br\/>Pau Arnal<\/p><p style=\"font-weight: 400;\"><strong>Postproducci\u00f3n de sonido<\/strong><br\/>Matteo Olivero <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-46b26a3 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"46b26a3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e20f64c elementor-widget elementor-widget-text-editor\" data-id=\"e20f64c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Comissariado<br\/><\/strong><span lang=\"CA\">Wayra Ficapal y Biennal de Fotografia Xavier Miserachs <\/span> <\/p><p><strong>Producci\u00f3n<\/strong><br\/>Biennal de Fotografia Xavier Miserachs<\/p><p><strong>Dise\u00f1o expositivo<\/strong><br\/>Llu\u00eds Bruguera<\/p><p><strong>Dise\u00f1o gr\u00e1fico<\/strong><br\/>Carles Reig<\/p><p><strong>Enmarcaci\u00f3n<\/strong><br\/>Arte Pisano &#038; Pellet Punto<\/p><p><strong>Asesoramiento ling\u00fc\u00edstico y traducciones<\/strong><br\/>N\u00faria S\u00e0bat, Daniel Parsons y Flavie Marczoch<\/p><p><strong>Montaje<\/strong><br\/>Museu del Suro de Catalunya<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b6de636 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"b6de636\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8029447 elementor-widget elementor-widget-text-editor\" data-id=\"8029447\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span lang=\"CA\">\u201cEl paisatge invisible\u201d (El paisaje invisible) ha recibido una beca de National Geographic Society y el apoyo de Roca Umbert F\u00e0brica de les Arts.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u201cEL PAISATGE INVISIBLE\u201d El delta del Ebro se asfixia. Hoy en d\u00eda, el 98 % de los sedimentos que garantizan su existencia quedan retenidos en los embalses de Mequinensa y Riba-roja, provocando una fase de retroceso y erosi\u00f3n sin precedentes. En los \u00faltimos 60 a\u00f1os, m\u00e1s de un centenar de presas han modificado el flujo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-6309","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>QR Paisatge invisible - Biennal de Fotografia Xavier Miserachs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/biennalxmiserachs.org\/es\/qr-paisatge-invisible\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"QR Paisatge invisible - Biennal de Fotografia Xavier Miserachs\" \/>\n<meta property=\"og:description\" content=\"\u201cEL PAISATGE INVISIBLE\u201d El delta del Ebro se asfixia. 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