{"id":6313,"date":"2026-07-16T18:29:43","date_gmt":"2026-07-16T18:29:43","guid":{"rendered":"https:\/\/biennalxmiserachs.org\/qr-paisatge-invisible\/"},"modified":"2026-08-05T09:16:42","modified_gmt":"2026-08-05T09:16:42","slug":"qr-paisatge-invisible","status":"publish","type":"page","link":"https:\/\/biennalxmiserachs.org\/fr\/qr-paisatge-invisible\/","title":{"rendered":"QR Paisatge invisible"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"6313\" class=\"elementor elementor-6313 elementor-6304\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f3ac2ae e-flex e-con-boxed e-con e-parent\" data-id=\"f3ac2ae\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c855030 elementor-widget elementor-widget-heading\" data-id=\"c855030\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">\u201cEL PAISATGE INVISIBLE\u201d <br \/>(Le paysage invisible)<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-27bf253 e-flex e-con-boxed e-con e-parent\" data-id=\"27bf253\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-558dd01 elementor-widget elementor-widget-text-editor\" data-id=\"558dd01\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">Le Delta de l\u2019Ebre s\u2019asphyxie. Aujourd\u2019hui, 98 % des s\u00e9diments qui permettent son existence restent retenus dans les barrages de Mequinensa et Riba-roja, provoquant une phase de recul et d\u2019\u00e9rosion sans pr\u00e9c\u00e9dent. Dans les 60 derni\u00e8res ann\u00e9es, plus d\u2019une centaine de barrages ont modifi\u00e9 le flux naturel du fleuve de l\u2019Ebre et de ses affluents, ce qui a mis \u00e0 risque la survie de cet \u00e9cosyst\u00e8me, qui pourrait dispara\u00eetre dans moins de 80 ans.   <\/span><\/span><span lang=\"CA\">Ce probl\u00e8me n\u2019est pas r\u00e9duit au Delta de l\u2019Ebre mais affecte toutes les zones humides de la plan\u00e8te, puisque la mauvaise gestion de l\u2019eau a d\u00e9grad\u00e9 ou a fait disparaitre 90 % de cet \u00e9cosyst\u00e8me. <\/span><\/p><\/div><div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">De plus, la pression de la crise climatique acc\u00e9l\u00e8re ce processus de disparition, avec l\u2019augmentation du niveau de la mer, en cons\u00e9quence de la fonte des calottes glaciaires, et l\u2019augmentation de la fr\u00e9quence et de la s\u00e9v\u00e9rit\u00e9 des catastrophes naturels. <\/span><\/span><\/p><\/div><div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">La crise qu\u2019affronte le Delta n\u2019est pas seulement climatique, hydraulique ou \u00e9nerg\u00e9tique, mais aussi culturelle. Elle r\u00e9pond \u00e0 un besoin archa\u00efque de nous associer avec la nature, bas\u00e9 sur une logique extractiviste dans laquelle (comme pr\u00e9voyait l\u2019anthropologue Bruno Latour) \u00ab l\u2019important est d\u2019utiliser les ressources pour se d\u00e9velopper \u00bb. <\/span><\/span><span lang=\"CA\"> <span class=\"agcmg\">Ce regard obsol\u00e8te est le point de d\u00e9part du projet \u00abEl paisatge invisible\u00bb (Le paysage invisible). <\/span><\/span><\/p><\/div><div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">En 2021, Wayra Ficapal commen\u00e7a \u00e0 documenter le fragile \u00e9cosyst\u00e8me du Delta de l\u2019Ebre. Premi\u00e8rement en le photographiant avec une cam\u00e9ra de format moyen analogique ; une cam\u00e9ra qui lui permit d\u2019\u00e9tablir une relation lente, consciente et attentive avec son environnement. Apr\u00e8s, sont venues les images   <\/span><\/span><span lang=\"CA\">avec l\u2019eau de la mer M\u00e9diterran\u00e9e, la m\u00eame qui envahit et \u00e9rode les plus grandes zones humides de Catalogne. <\/span><\/p><\/div><div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">L\u2019intervention de la photographie permet \u00e0 l\u2019artiste d\u2019\u00e9tablir un dialogue collaboratif avec<\/span><\/span><span lang=\"CA\"> <span class=\"agcmg\">le paysage qui nous ouvre \u00e0 une histoire non humaine et nous invite \u00e0 modifier notre mani\u00e8re de comprendre et d\u2019interagir avec l\u2019environnement. Pas \u00e0 pas, les photographies se d\u00e9t\u00e9riorent et le paysage devient invisible. Quel paysage nous d\u00e9voile le paysage ?   <\/span><\/span><\/p><\/div><div><p class=\"cvgsua\"><span class=\"agcmg\"><span lang=\"CA\">Historiquement, la photographie de paysage a perp\u00e9tu\u00e9 une vision id\u00e9aliste h\u00e9rit\u00e9e de la peinture et du cin\u00e9ma, d\u00e9connect\u00e9e de ces conflits et d\u00e9pourvue de critique. Durant les XIX\u1d49 et XX\u1d49 si\u00e8cles, cette repr\u00e9sentation \u00e9tait peut-\u00eatre utile, mais maintenant, dans le contexte de la crise climatique, ce langage visuel continue \u00e0 moduler notre lien avec l\u2019environnement d\u2019une mani\u00e8re anachronique, de telle fa\u00e7on qu\u2019il est n\u00e9cessaire de changer le r\u00e9cit pour enrichir cette relation paysag\u00e8re. <\/span><\/span><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-38224b1 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"38224b1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6c0cc48 elementor-widget elementor-widget-text-editor\" data-id=\"6c0cc48\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"font-weight: 400;\"><strong>Vid\u00e9aste<br\/><\/strong>Claudia Herr\u00e1n<\/p><p style=\"font-weight: 400;\"><strong>Sc\u00e9nariste<\/strong><br\/>Wayra Ficapal<\/p><p style=\"font-weight: 400;\"><strong>Assistant de contenu<\/strong><br\/>Josep Juan Segarra<\/p><p style=\"font-weight: 400;\"><strong>Musique<\/strong><br\/>Pau Arnal<\/p><p style=\"font-weight: 400;\"><strong>Post-production sonore<\/strong><br\/>Matteo Olivero <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-46b26a3 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"46b26a3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e20f64c elementor-widget elementor-widget-text-editor\" data-id=\"e20f64c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Commissionn\u00e9 par<\/strong><br\/>Wayra Ficapal et Biennal de Fotografia Xavier Miserachs <\/p><p><strong>Production<\/strong><br\/>Biennal de Fotografia Xavier Miserachs<\/p><p><strong>Conception de l\u2019exposition<\/strong><br\/>Llu\u00eds Bruguera<\/p><p><strong>Conception graphique <\/strong><br\/>Carles Reig<\/p><p><strong>Encadrement<\/strong><br\/>Arte Pisano &#038; Pellet Punto<\/p><p><strong>Conseils linguistiques et traduction<\/strong><br\/>N\u00faria S\u00e0bat, Daniel Parsons et Flavie Marczoch<\/p><p><strong>Montage<\/strong><br\/>Museu del Suro de Catalunya<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b6de636 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"b6de636\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8029447 elementor-widget elementor-widget-text-editor\" data-id=\"8029447\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span lang=\"CA\">\u201cEl paisatge invisible\u201d (Le paysage invisible) a re\u00e7u une bourse de la National Geographic Society et l\u2019aide de Roca Umbert F\u00e0brica de les Arts.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u201cEL PAISATGE INVISIBLE\u201d (Le paysage invisible) Le Delta de l\u2019Ebre s\u2019asphyxie. Aujourd\u2019hui, 98 % des s\u00e9diments qui permettent son existence restent retenus dans les barrages de Mequinensa et Riba-roja, provoquant une phase de recul et d\u2019\u00e9rosion sans pr\u00e9c\u00e9dent. Dans les 60 derni\u00e8res ann\u00e9es, plus d\u2019une centaine de barrages ont modifi\u00e9 le flux naturel du fleuve [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-6313","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>QR Paisatge invisible - Biennal de Fotografia Xavier Miserachs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/biennalxmiserachs.org\/fr\/qr-paisatge-invisible\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"QR Paisatge invisible - Biennal de Fotografia Xavier Miserachs\" \/>\n<meta property=\"og:description\" content=\"\u201cEL PAISATGE INVISIBLE\u201d (Le paysage invisible) Le Delta de l\u2019Ebre s\u2019asphyxie. 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