{"id":6596,"date":"2026-07-18T09:53:03","date_gmt":"2026-07-18T09:53:03","guid":{"rendered":"https:\/\/biennalxmiserachs.org\/qr-txema-salvans\/"},"modified":"2026-08-05T09:46:50","modified_gmt":"2026-08-05T09:46:50","slug":"qr-txema-salvans","status":"publish","type":"page","link":"https:\/\/biennalxmiserachs.org\/fr\/qr-txema-salvans\/","title":{"rendered":"QR Txema Salvans"},"content":{"rendered":"\t\t
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\u201cADJECTIVAR EL TEMPS. TXEMA SALVANS - JOSEP PLA\u201d
(Adjectiver le temps. Txema Salvans - Josep Pla)<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Quelle importance accordons-nous \u00e0 notre quotidien et \u00e0 tout ce qui l\u2019accompagne ? Nous int\u00e9ressons-nous \u00e0 ce qui nous entoure ? Pr\u00eatons-nous attention aux petits d\u00e9tails, apparemment banales, que nous croisons chaque jour ? Emport\u00e9s par le tumulte du quotidien, nous peinons souvent \u00e0 trouver la pause et l\u2019\u00e9tat d\u2019esprit ad\u00e9quat pour appr\u00e9cier les petits gestes anodins, les situations particuli\u00e8res ou les sc\u00e8nes fugaces de la r\u00e9alit\u00e9 qui nous entoure. Heureusement, gr\u00e2ce \u00e0 leur regard, les artistes nous aident \u00e0 en prendre conscience. <\/p>

Pr\u00e9cis\u00e9ment, l\u2019int\u00e9r\u00eat pour la r\u00e9alit\u00e9 \u00ab prodigieuse et in\u00e9puisable, brute et magique \u00bb, \u00e9tait l\u2019une des constantes dans l\u2019\u0153uvre de l\u2019\u00e9crivain Josep Pla (Palafrugell, 1897-1981), et se trouve \u00e9galement au c\u0153ur du travail photographique de Txema Salvans (Barcelone, 1971), comme il l\u2019affirme lui-m\u00eame : \u00ab je photographie ce qui est extraordinaire dans le quotidien \u00bb. \u00c0 partir de cet embryon commun, l\u2019exposition explore les processus cr\u00e9atifs de la photographie et de l\u2019\u00e9criture pour d\u00e9couvrir les \u00e9l\u00e9ments partag\u00e9s dans le regard et l’\u0153uvre des deux auteurs. <\/p>

Bien qu\u2019ils appartiennent \u00e0 des \u00e9poques diff\u00e9rentes et pr\u00e9sentent des diff\u00e9rences notables dans le domaine artistique, l\u2019exploration compar\u00e9e des \u0153uvres de Txema Salvans et de Josep Pla fait \u00e9merger un r\u00e9seau de connexions et d\u2019int\u00e9r\u00eats esth\u00e9tiques communs et r\u00e9v\u00e9lateurs. Par l\u2019emploi de l\u2019adjectif pr\u00e9cis, l\u2019usage singulier de la lumi\u00e8re ainsi que la capacit\u00e9 expressive et en m\u00eame temps critique de leurs regards respectifs, Txema Salvans et Josep Pla saisissent le temps et en r\u00e9v\u00e8lent la profondeur existentielle <\/p>

En nous plongeant dans ce lien, nous avons constat\u00e9 le cadre \u00e9vocateur que les textes de Josep Pla offrent pour appr\u00e9hender l\u2019atmosph\u00e8re des photographies de Txema Salvans, issues des projets Perfect Day<\/em>, The Waiting Game<\/em>, Sunday Morning<\/em> et Les destrosses d\u2019una cat\u00e0strofe<\/em> (Les d\u00e9g\u00e2ts d\u2019une catastrophe), dont certaines sont in\u00e9dites. Pr\u00e9sent\u00e9es conjointement, la litt\u00e9rature de Pla et les photographies de Salvans apparaissent comme deux mani\u00e8res singuli\u00e8res, et en m\u00eame temps compl\u00e9mentaires, d\u2019entrer en relation avec le monde. En les faisant dialoguer, le r\u00e9sultat met en relief leurs points communs : la curiosit\u00e9, la rigueur, le souci du d\u00e9tail, la vision \u00e0 la fois locale et universelle et, surtout, que ce soit avec la plume ou l\u2019appareil photo, leur capacit\u00e9 \u00e0 qualifier le temps. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00ab \u00c9crire, c\u2019est avant tout trouver les adjectifs, savoir adjectiver. Ce n\u2019est pas facile. Cela exige beaucoup d\u2019observation, beaucoup de patience, de ne pas se soucier du temps. Cela peut para\u00eetre simple, mais ce n\u2019est pas facile. La lenteur, la solitude, sont probablement propices \u00e0 cela. L\u2019intuition, encore plus. \u00bb<\/h5>

Josep Pla. Darrers escrits<\/em>. OC LXIV. Barcelona: Destino, 1984, p. 348<\/p>

\u00ab En photographie, cette notion du temps est tout simplement fabuleuse. Nos photos sont des fossiles. On vole le temps \u00e0 l’instant pr\u00e9sent et on le laisse ici, fossilis\u00e9. \u00bb<\/h5>

Txema Salvans<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00ab Tout ne tient qu\u2019\u00e0 un fil, tout est incertain. \u00bb<\/h5>

Josep Pla. Darrers escrits<\/em>. OC LXIV. Barcelona: Destino, 1984, p. 349<\/p>

\u00ab L\u2019attente a \u00e9t\u00e9 longue, interminable. Toute la vie n\u2019est qu\u2019une attente. Une attente de quoi ? \u00bb<\/h5>

Josep Pla. Un petit m\u00f3n del Pirineu<\/em>, OC XXVII. Barcelona: Destino, 1974, p. 197<\/p>

\u00ab Les actions des homes et des femmes sont si vari\u00e9es, si surprenantes, si inextricables et si diverses qu\u2019elles sont plus \u00e9paisses qu\u2019une jungle v\u00e9g\u00e9tale. \u00bb<\/h5>

Josep Pla, Le cahier gris<\/em>. Traduit par Serge Mestre. Paris : Gallimard, 2013, p. 487<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00ab Le paysage poss\u00e8de une immobilit\u00e9 ancienne, douce et paternelle. Si l\u2019on entend un cri, le vent l\u2019emporte lentement. On sent le temps s\u2019\u00e9couler de fa\u00e7on suave, comme un filet d\u2019huile. \u00bb<\/h5>

Josep Pla, Le cahier gris<\/em>. Traduit par Serge Mestre. Paris : Gallimard, 2013, p. 212<\/p>

\u00ab On reste un instant suspendu, le regard perdu dans le ciel. Toutes les nuances de gris et de rose flottent dans l\u2019atmosph\u00e8re. L\u2019air a la douceur d\u2019une perle trouble. \u00bb<\/h5>

Josep Pla. El nord<\/em>, OC V. Barcelona: Destino, 1967, p. 66<\/p>

\u00ab La lumi\u00e8re est d\u2019une blancheur soyeuse, effervescente, \u00e9blouissante. En l\u2019air, sur les murs blancs, sur le sable ros\u00e9, la lumi\u00e8re en fusion produit de petites langues vaporeuses et flottantes qui virevoltent. \u00bb<\/h5>

Josep Pla, Le cahier gris<\/em>. Traduit par Serge Mestre. Paris : Gallimard, 2013, p. 240<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00ab Le ciel dor\u00e9 et rose est parsem\u00e9 d\u2019un fin voile couleur p\u00eache. \u00bb<\/h5>

Josep Pla. El nord<\/em>, OC V. Barcelona: Destino, 1967, p. 249<\/p>

\u00ab Il y eut un moment de silence et tout resta suspendu. \u00bb<\/h5>

Josep Pla, Le cahier gris<\/em>. Traduit par Serge Mestre. Paris : Gallimard, 2013, p. 285<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00ab C\u2019est l\u00e0 que r\u00e9side l\u2019essence m\u00eame de la litt\u00e9rature : les d\u00e9tails, l\u2019observation, la connaissance. C\u2019est cela qui perdure. \u00bb<\/h5>

Josep Pla. Notes del capvesprol<\/em>, OC XXXV. Barcelona: Destino, 1979, p. 266<\/p>

\u00ab En photographie, c\u2019est \u00e0 toi de mettre de l\u2019ordre dans le chaos. Tu arrives dans un lieu et c\u2019est le chaos. Tu dois alors mettre de l\u2019ordre, \u00e9tablir une hi\u00e9rarchie, tracer des lignes. Tu le fais intuitivement quand il s\u2019agit de ton m\u00e9tier et tu as le talent pour \u00e7a. C\u2019est comme \u00e9crire une partition musicale, un texte bien \u00e9crit, sans fautes d\u2019orthographe. \u00bb<\/h5>

Txema Salvans<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Commissariat et production<\/strong>Fundaci\u00f3 Josep Pla et Biennal de Fotografia Xavier Miserachs<\/div>
<\/div>
Conception de l\u2019exposition<\/strong>Llu\u00eds Bruguera<\/div>
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Conception graphique <\/strong>Carles Reig<\/div>
<\/div>
Tirages photographiques<\/strong>Copia Lab<\/span><\/div>
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Encadrement<\/strong>Arte Pisano & Pellet Punto<\/div>
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Conseil linguistique et traductions<\/strong>N\u00faria S\u00e0bat, Daniel Parsons, Flavie Marczorch, Marta Moreno et Aina Pubill<\/div>
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Impression<\/strong>Gr\u00e0fiques Agust\u00ed<\/div>
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Montage<\/strong>Charpenterie Pujol<\/div>
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Transport<\/strong>Santi L\u00e9onard<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u201cADJECTIVAR EL TEMPS. TXEMA SALVANS – JOSEP PLA\u201d(Adjectiver le temps. Txema Salvans – Josep Pla) Quelle importance accordons-nous \u00e0 notre quotidien et \u00e0 tout ce qui l\u2019accompagne ? Nous int\u00e9ressons-nous \u00e0 ce qui nous entoure ? Pr\u00eatons-nous attention aux petits d\u00e9tails, apparemment banales, que nous croisons chaque jour ? Emport\u00e9s par le tumulte du quotidien, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-6596","page","type-page","status-publish","hentry"],"yoast_head":"\nQR Txema Salvans - Biennal de Fotografia Xavier Miserachs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/biennalxmiserachs.org\/qr-txema-salvans\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"QR Txema Salvans - Biennal de Fotografia Xavier Miserachs\" \/>\n<meta property=\"og:description\" content=\"\u201cADJECTIVAR EL TEMPS. TXEMA SALVANS – JOSEP PLA\u201d(Adjectiver le temps. Txema Salvans – Josep Pla) Quelle importance accordons-nous \u00e0 notre quotidien et \u00e0 tout ce qui l\u2019accompagne ? Nous int\u00e9ressons-nous \u00e0 ce qui nous entoure ? Pr\u00eatons-nous attention aux petits d\u00e9tails, apparemment banales, que nous croisons chaque jour ? 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