{"id":6795,"date":"2026-07-19T08:49:16","date_gmt":"2026-07-19T08:49:16","guid":{"rendered":"https:\/\/biennalxmiserachs.org\/qr-gabriel-cuallado\/"},"modified":"2026-08-05T10:03:20","modified_gmt":"2026-08-05T10:03:20","slug":"qr-gabriel-cuallado","status":"publish","type":"page","link":"https:\/\/biennalxmiserachs.org\/fr\/qr-gabriel-cuallado\/","title":{"rendered":"QR Gabriel Cuallad\u00f3"},"content":{"rendered":"\t\t
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\u201cPO\u00c8TICA DE LA SENZILLESA\u201d
(La po\u00e9sie de la simplicit\u00e9)<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Homme d\u2019affaires de profession et photographe amateur autodidacte, Gabriel Cuallad\u00f3 (Massanassa, 1925 – Madrid, 2003) acquit son premier appareil photo en 1951, \u00e0 l\u2019occasion de la naissance de son premier fils. De ce geste initial naquit une pratique qui l\u2019a accompagn\u00e9 toute sa vie. <\/p>

En 1956, il int\u00e8gre la Real Sociedad Fotogr\u00e1fica de Madrid. Un an plus tard, il devient membre du groupe AFAL (Agrupaci\u00f3n Fotogr\u00e1fica Almeriense) et, en 1959, il fonde le collectif La Palangana. Au sein de ces deux entit\u00e9s, il participe tr\u00e8s activement dans le renouveau de la photographie espagnole des ann\u00e9es 1950. <\/p>

\u00c0 partir de 1959, ses images sont prim\u00e9es et reconnues \u00e0 l\u2019\u00e9chelle internationale dans le cadre d\u2019expositions individuelles et collectives \u2013\u00e0 Amsterdam, Paris, Londres, Moscou et au festival Les Rencontres Internationales de Photographie d\u2019Arles, entre autres\u2013, ainsi que dans plusieurs publications, telles que le magazine nord-am\u00e9ricain Popular Photography <\/em>ou l\u2019annuaire anglais Photography Year Book<\/em>. Dans les ann\u00e9es 1980, il acc\u00e8de \u00e0 une reconnaissance aupr\u00e8s du grand public gr\u00e2ce \u00e0 plusieurs expositions importantes, parmi lesquelles on peut souligner la r\u00e9trospective organis\u00e9e par l\u2019Institut Valenci\u00e0 d\u2019Art Modern (IVAM) en 1989. <\/p>

En 1994, il re\u00e7oit le Prix national de photographie d\u00e9cern\u00e9 par le Minist\u00e8re de la Culture, lors de sa premi\u00e8re \u00e9dition, et en 1998, la M\u00e9daille d\u2019or du C\u00edrculo de Bellas Artes de Madrid. \u00c0 sa mort, il laisse un h\u00e9ritage photographique remarquable, une pr\u00e9cieuse collection de photographies, ainsi que l\u2019une des meilleures biblioth\u00e8ques de photographie d\u2019Espagne. <\/p>

Dans le contexte du renouveau de la photographie espagnole au milieu du XXe si\u00e8cle, Cuallad\u00f3 apporte un regard proche, sinc\u00e8re et d\u00e9licat, affranchi des conventions et de tout sch\u00e9ma pr\u00e9\u00e9tabli, qui r\u00e9v\u00e8le sa capacit\u00e9 \u00e0 transmettre les sentiments et les \u00e9motions suscit\u00e9es par tout ce qui l\u2019entoure. La famille, les amis et les instants du quotidien jouent un r\u00f4le central dans des sc\u00e8nes modestes, d\u2019un grand magn\u00e9tisme et profond\u00e9ment intemporel. <\/p>

Prises principalement \u00e0 Madrid, dans les Asturies et dans la Communaut\u00e9 valencienne, ses photographies constituent des s\u00e9ries qui fonctionnent davantage comme des s\u00e9quences ouvertes que comme des images isol\u00e9es. Empreintes d\u2019une grande dimension humaniste et d\u2019une rigueur technique remarquable, elles se caract\u00e9risent par des cadrages d\u00e9centr\u00e9s ou fragmentaires et une attention particuli\u00e8re port\u00e9e aux ombres. Par cette approche, il pr\u00e9serve une aura de myst\u00e8re, particuli\u00e8rement perceptible chez les personnages de ses portraits, qu\u2019il aborde avec ouverture, dans une relation fond\u00e9e sur la confiance et le naturel.<\/p>

Visant \u00e0 montrer une petite mais repr\u00e9sentative partie de son \u0153uvre, cette exposition est constitu\u00e9e d\u2019une s\u00e9lection de portraits et de sc\u00e8nes de rue qui refl\u00e8tent la modernit\u00e9 de Cuallad\u00f3 ainsi que la d\u00e9licate charge po\u00e9tique de ses photographies.<\/p>

Les tirages photographiques de cette exposition proviennent des archives familiales et sont tous des tirages d\u2019\u00e9poque. Il s\u2019agit de pi\u00e8ces uniques, tir\u00e9es par l\u2019auteur lui-m\u00eame. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Commissariat et production<\/strong>Biennal de Fotografia Xavier Miserachs<\/p>

Conception de l\u2019exposition<\/strong>Llu\u00eds Bruguera<\/p>

Conception graphique <\/strong>Carles Reig<\/p>

Encadrement<\/strong>Arte Pisano & Pellet Punto<\/p>

Conseil linguistique et traductions<\/strong>N\u00faria S\u00e0bat, Daniel Parsons et Aina Pubill<\/p>

Impressions<\/strong>Gr\u00e0fiques Agust\u00ed<\/p>

Transport<\/strong>Santi L\u00e9onard<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u201cPO\u00c8TICA DE LA SENZILLESA\u201d(La po\u00e9sie de la simplicit\u00e9) Homme d\u2019affaires de profession et photographe amateur autodidacte, Gabriel Cuallad\u00f3 (Massanassa, 1925 – Madrid, 2003) acquit son premier appareil photo en 1951, \u00e0 l\u2019occasion de la naissance de son premier fils. De ce geste initial naquit une pratique qui l\u2019a accompagn\u00e9 toute sa vie. En 1956, il […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-6795","page","type-page","status-publish","hentry"],"yoast_head":"\nQR Gabriel Cuallad\u00f3 - Biennal de Fotografia Xavier Miserachs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/biennalxmiserachs.org\/qr-gabriel-cuallado\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"QR Gabriel Cuallad\u00f3 - Biennal de Fotografia Xavier Miserachs\" \/>\n<meta property=\"og:description\" content=\"\u201cPO\u00c8TICA DE LA SENZILLESA\u201d(La po\u00e9sie de la simplicit\u00e9) Homme d\u2019affaires de profession et photographe amateur autodidacte, Gabriel Cuallad\u00f3 (Massanassa, 1925 – Madrid, 2003) acquit son premier appareil photo en 1951, \u00e0 l\u2019occasion de la naissance de son premier fils. 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